Leila Bordreuil is a Brooklyn based cellist and composer from Aix-en-Provence, France. She works in the realm of Noise music, improvisation, New Music and sound-art. Her cello playing is often improvised, and mainly focuses on texture variations and a collage of phantom overtones and pitched utterances. Through an original vocabulary of extended techniques, preparations, and imaginative amplification methods, her instrument is used as an abstract resonant body to challenge conventional cello practice. Her composed works draw from a similar texture-based musical aesthetic, but also focus on the relationship between sound and space. In her site-specific electro-acoustic compositions, architecture is the foundation of the piece and musicality arises from an organized spacialization of sound.
The name drop:
As per the tradition of improvised music, Leila has maintained a very active concert schedule sharing the stage with many different artists such as Marina Rosenfeld, Eli Keszler, Tom Chiu (Flux quartet), Anthony Coleman, Peter Evans, Nate Wooley, SENYAWA, C. Spencer Yeh, Toshimaru Nakamura, Tetuzi Akiyama, Susan Alcorn, Ingrid Laubrock, Bill Nace, Lee Ranaldo, Weasel Walter, Chris Corsano, Lea Bertucci, Billy Roisz and more.
Notable venues where she has performed include The Whitney Museum, The Kitchen, MoMA PS1, Issue Project Room, the Stone, Roulette, Pioneer Works, Cafe Oto (London, UK), All Ears Festival (Oslo, NO), Ausland (Berlin, DE), Ftarri (Tokyo, JP), the Heresy Series for Women in Sound (Manila, PHL), and many basements across the U.S.
Leila is a 2017 MacDowell Fellow in Composition, and was a 2016 artist-in-residence at Issue Project Room.